ESCOTT

[T. H. S. Escott [Thomas Hay Sweet Escott], journalist, newspaper editor (‘The Fortnightly Review’) and biographer of Anthony Trollope.] Six Autograph Letters Signed, mainly concerning autographs for the unnamed recipient’s collection.

Author: 
T. H. S. Escott [Thomas Hay Sweet Escott] (1844-1924), Fleet Street journalist, newspaper editor (‘The Fortnightly Review’) and biographer of Anthony Trollope
Publication details: 
Three letters from 1898 and one letter from 1899; the others from around the same time. All six letters from 90 Buckingham Road, Brighton.
£120.00

See his entry in the Oxford DNB. The six items - written in the semi-retirement that followed Escott's breakdown in 1885 (Joseph Chamberlain and Lord Randolph Churchill took up a subscription for him) - are in good condition, on lightly aged paper. A total of 12pp, 12mo. Closely written in a well-nigh illegible hand. All six letters are addressed to ‘My dear Sir’ and signed ‘T H S Escott’. Considering the execrable nature of the handwriting, it is ironic that the main topic would appear to be the supplying by Escott of autographs for the recipient’s collection.

Nine Autograph Letters Signed from the poet Herbert Palmer to Rev. Harry Escott of Rhynie, Aberdeenshire, editing a book of Escott's poetry, discussing Christian verse, and attacking T. S. Eliot, the Faber poets and modernism.

Author: 
Herbert Palmer [Herbert Edward Palmer] (1880-1961), English poet and critic [Rev. Harry Escott (1905-1987), MA, Congregational Minister at Rhynie, Aberdeenshire]
Publication details: 
All from 22 Batchwood View, St Albans, Hertfordshire. One from 1938, two from 1942, one from 1943, and the rest undated.
£280.00

Totalling 36pp., 4to. In fair condition, bound by Escott with brown paper into paper wraps, with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory", amended in February 1948 to "Back to the Fountain."' An interesting correspondence, casting light on the workings of the mid-twentieth century publishing industry, from the point of view of a successful traditional poet strongly opposed to modernism.

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